Tenniel, John. Hard Cover. New York: D. Appleton and Company, 1866. 1st Edition. Very Good.
First edition, second and earliest obtainable issue, with variant A page  with "Alice! A childish…", variant A page  with "Rabbit Hole," variant A title page with the 'b' in 'bye' directly above and somewhat to the right of the 'T' in 'Tenniel.' Publisher's red cloth, with an illustration of Alice to the front board in gilt, illustration of the Cheshire Cat to the rear board in gilt, lettered in gilt, all edges gilt, black coated endpapers. Very good, with some toning and dimming to the spine, discreet repairs to the spine ends, light soiling to the boards, corners lightly rubbed and bumped, spine cracked and holding inside the front cover, Mission ownership stamp the front pastedown, one or two faint spots to the otherwise very clean pages. A very square and attractive copy, very scarce in the original cloth. Housed in a custom folding box. Taylor 2. The true first issue of Alice was published by Macmillan in London in a print run of 2,000 copies, but was quickly suppressed because neither author nor artist approved of the quality of the reproductive illustrations. Macmillan sold its remaining pages to Appleton in New York, who bound this second issue with a cancel title page. Aside from the new title, the Appleton Alice agree with all textual issues of the 1865 Alice, including the slight variants on page  and , which neither indicate collecting priority nor earlier printing. Similarly, the slightly different Appleton title pages are the result of the book being "printed in pairs from two nominally identical settings of type." Only a handful of the true first issue survived (many were donated to children's hospitals), making this second issue the first obtainable issue. Charles Lutwidge Dodgson wrote the nonsensical story Alice's Adventures in Wonderland under the pseudonym Lewis Carroll for Alice Liddell, who was a frequent subject of Dodgson's revolutionary portrait photography. Alice's Adventures in Wonderland includes a black and white frontispiece along with forty-two in-text illustrations by John Tenniel, Dodgson's frequent artist collaborator.